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Reunited in Los Angeles with the intent to rekindle the same kind of magic for Know?" As the old adage states: 'if it ain't broke, don't fix it', the team was As Barnes puts it, "If you got good songsĪnd a good place to work, and good people to work with, you just can't lose you With drumming powerhouse Matt Chamberlin (Pearl Jam, David Bowie, T-Boneīurnett), who Barnes describes enthusiastically, "the most bad ass drummer we couldįind," the team were let loose in Haunted Hollow, Dave Matthews Band's private To acclaimed producer John Alagia (Dave Matthews Band, John Mayer, Jason Mraz). Of the songs (including lead single, "Overdue") and the cover art illustration
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The two had become friends, and Matthews' enthusiasm for Barnes brought thisīody of work to light, with Matthews even contributing backing vocals on some Latest platinum release, Big Whiskey and the GrooGrux King. Matthews Band in recent years, Danny was invited to perform on the band's (jam)', it's a great way to spend a day." Having played several shows with Dave New stuff we were working on.'Here's one.(jam). Times with my friend Dave, was to sit around and eat sandwiches and swap songs The process of developing these ideas, one of the things I ended up doing a few His last album, the critically acclaimed Pizzaīox, Barnes found an ally in Dave Matthews (co-founder of ATO Records). Yet, on this new album, it is his uncanny songwriting Roll, and his passion for melding genres together in a style that is quiteįrankly, all of his own making. The wheel with the creation of the 'Barnjo' a prototype of a hard bodyĮlectric banjo with pickups that allow him to showcase his love for rock and On November, 8th on ATO Records), Barnes continues to push the envelope and reinvent Leavell, and John Popper, to members of the punk and metal Butthole Surfers, Dead Keen, Lyle Lovett, and Nickel Creek, to Jam friendly Gov't Mule, Leftover Salmon,Īnd Keller Williams, to jazz and blues instrumentalists Bill Frisell, Chuck Newgrass stars Yonder Mountain String band, to Americana artists Robert Earl Landscapes, ranging from bluegrass greats Bela Fleck, Del McCoury, and Sam Bush, Skills as an instrumentalist and his open embrace and infectious love of musicįor music's sake, have brought him to share the stage and record with a wideĪrray of marquee artists that reads like a who's who among broad musical Instrument, Barnes has always listened to his proudly offbeat inner voice. Of his trademark 'folkTronics' project, a startling approach that incorporatesĭigital technology and various effect pedals to stretch the tonal range of the
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Pioneering Americana missionaries, through a prolific solo career and the development From his early daysĪs the driving force behind the impressive Austin-based Bad Livers, a band of Which genre definitions have merely been a polite suggestion.
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Has come to redefine the banjo's perceived image in an eclectic career for Non-traditional music like rock, fusion, and jazz with electronic percussion His ing the banjo as his 'weapon of choice' to play Although he demonstrates an appreciationįor the history of the bluegrass, country, and folk music from which theīanjo's reputation was born, his inventive take is what truly separates him from Versatility into a progressive approach to an instrument that is musically Musical interests are both varied and adventurous, and he incorporates that Innovative and genre-bending artists of his craft, Southern gentleman, part humble artist, Barnes is being more than a bit Those guys, but the one thing I can do is write really good songs." I'm not one of those virtuoso instrumentalists, I can't compete with That more people are going to hear my songs, which is really what I have to Good song has a way of speaking to everybody" Danny Barnes says.